Matchbox Pinhole & Caffenol

Caffenol Reader and Lomography member Hana (http://www.lomography.com/homes/hilarion) sent us her results of a matchbox pinhole camera. Instructions how to build one can be found at http://www.matchboxpinhole.com. Hana is from Slovakia and uses vitamin c from DM drogeri, an unknown coffee brand and “kalcinovaná sóda na pranie”, a local soda product. Below Read more…

more Kodak Porta 160 NC

I went to a Photo fair the other weekend and bought another, small camera that I always had an eye on: The Olympus XA. It is in excellent condition, came with the A11 Flash and a small bag. It had already batteries installed and as I always carry a Film canister with some film with me, it was obvious to put it in: 2007 expired Kodak Porta 160 NC. A wonderful color film, that comes out great in caffenol. The XA has only full ISO stops, so I dialed in ISO 200 and began shooting.

Density testprint

Density

f you read a bit about caffenol development or development in general, you will quickly learn phrases like “my negatives came out very dense” or “negatives where thin, but scanned fine”. So what does all that mean?

If you develop color films in caffenol, most likely you will get dense negatives (dense meaning you cannot see through the film in this case), positive films and High ISO films will be denser then low ISO films. These negatives are not very good to produce prints on paper, as contrast is quite low and they have an orange mask. High ISO B&W Films will most likely come out very thin and will look like underdeveloped negatives. Both types will scan fine and with a small amount of Post Processing (Level adjustments) they will look good on a screen.