<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Kodak-Porta-160-Nc on caffenol.org</title><link>https://www.caffenol.org/tag/kodak-porta-160-nc/</link><description>Recent content in Kodak-Porta-160-Nc on caffenol.org</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Sun, 28 Nov 2010 00:00:00 +0000</lastBuildDate><atom:link href="https://www.caffenol.org/tag/kodak-porta-160-nc/index.xml" rel="self" type="application/rss+xml"/><item><title>Action!</title><link>https://www.caffenol.org/2010/11/28/action/</link><pubDate>Sun, 28 Nov 2010 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2010/11/28/action/</guid><description>&lt;p&gt;
















 



 
 
 
 
 

 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 

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&lt;p&gt;I cleaned up my camera cabinet yesterday and stumbled upon my Action sampler camera where I remembered I shot some film with already. My Action sampler is a no name model, but is better than the one from Lomography in so many ways: It has a proper viewfinder, it is not as ugly and it was only 2 EUROS, new. Not in a nice box as from Lomography, but hey it’s not the boxing that takes pictures.&lt;/p&gt;</description></item><item><title>Density</title><link>https://www.caffenol.org/2010/10/27/density/</link><pubDate>Wed, 27 Oct 2010 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2010/10/27/density/</guid><description>&lt;p&gt;If you read a bit about caffenol development or development in general, you will quickly learn phrases like &lt;em&gt;“my negatives came out very dense”&lt;/em&gt; or &lt;em&gt;“negatives where thin, but scanned fine”&lt;/em&gt;. So what does all that mean?&lt;/p&gt;
&lt;p&gt;If you develop color films in caffenol, most likely you will get dense negatives (dense meaning you cannot see through the film in this case), positive films and High ISO films will be denser then low ISO films. These negatives are not very good to produce prints on paper, as contrast is quite low and they have an orange mask. High ISO B&amp;amp;W Films will most likely come out very thin and will look like underdeveloped negatives. Both types will scan fine and with a small amount of Post Processing (Level adjustments) they will look good on a screen.&lt;/p&gt;</description></item><item><title>Goodbye Leica</title><link>https://www.caffenol.org/2010/06/29/goodbye-leica/</link><pubDate>Tue, 29 Jun 2010 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2010/06/29/goodbye-leica/</guid><description>&lt;p&gt;I had a Leica M6 for loan for quite some time, but gave it back recently. What can I say about this camera? It’s beautiful, gorgeous and so unobtrusive at the same time. Paired wit the 35mm f2 this is an ideal street shooter. Here are the last shots I took with the M6. All on Kodak Porta 160 NC, developed in Caffenol-C. This film looks stunning in Caffenol. If you are in the need for a low speed film with some very nice film grain, you really should consider this type, even if it is a color film.&lt;/p&gt;</description></item><item><title>Neutral Color in B&amp;W</title><link>https://www.caffenol.org/2010/03/30/neutral-color-in-bw/</link><pubDate>Tue, 30 Mar 2010 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2010/03/30/neutral-color-in-bw/</guid><description>&lt;p&gt;I have a fair amount of Kodak Professional Portra 160 NC (Neutral Color) but never tried it out. Having still the Hartblei Tilt-Shift on my Canon 3000N, I thought I should give it go. And low ISO film always comes out great in Caffenol.&lt;/p&gt;
&lt;p&gt;Here are the results:&lt;/p&gt;
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