<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Kodak on caffenol.org</title><link>https://www.caffenol.org/tag/kodak/</link><description>Recent content in Kodak on caffenol.org</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Tue, 21 Jun 2011 00:00:00 +0000</lastBuildDate><atom:link href="https://www.caffenol.org/tag/kodak/index.xml" rel="self" type="application/rss+xml"/><item><title>Kodak Portra 100T</title><link>https://www.caffenol.org/2011/06/21/kodak-portra-100t/</link><pubDate>Tue, 21 Jun 2011 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2011/06/21/kodak-portra-100t/</guid><description>&lt;p&gt;While sorting out my &lt;a href="http://www.flickr.com/photos/dirkessl/5211052445/in/photostream" title="My camera cabinet"&gt;Camera Cabinet&lt;/a&gt; I found a Roll of exposed Kodak Portra 100T (Tungsten). This film is not available new anymore, used prices of expired film go from 6 to 20 EUROs.&lt;/p&gt;
&lt;p&gt;I had no clue when, what and with which camera I shot it. That’s one of the things I like with analog film: You never really know what you get until you develop the roll. I developed it in &lt;a href="https://www.caffenol.org/2011/01/09/the-delta-recipe-goes-standard/" title="The Delta Recipe Goes Standard."&gt;Delta-STD&lt;/a&gt; for 14 minutes and it came out quite nicely, but most of the pictures where badly composed, under or overexposed, so I can only show 3 examples. From seeing the pictures I could identify the camera: My lovely Russian Rangefinder &lt;a href="http://www.flickr.com/photos/dirkessl/3750039238/" title="Zorki 4"&gt;Zorki 4&lt;/a&gt;. I had no Lightmeter at the time, so exposure was off on most shots. Auto Levels in Photoshop gives a nice brownish toning, but that doesn’t work on all pictures, so I converted one of them to ‘real’ B&amp;amp;W.&lt;/p&gt;</description></item><item><title>Kodak T-MAX – from T-Grain to Coffee granules</title><link>https://www.caffenol.org/2010/10/12/kodak-t-max-from-t-grain-to-coffee-granules/</link><pubDate>Tue, 12 Oct 2010 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2010/10/12/kodak-t-max-from-t-grain-to-coffee-granules/</guid><description>&lt;p&gt;Some may be surprised that it took me so long to try out Kodak TMAX 400 in caffenol, but that’s how I am, always wanting to try out something new, something different.&lt;/p&gt;
&lt;p&gt;A friend of mine gave me a roll of TMAX 400 because he said he really likes it. It’s a Tabular-grain-film like the Delta films from Ilford where the silver halide crystals are more flat and tabular.&lt;/p&gt;
&lt;p&gt;Kodak says it is the sharpest, fined grained ISO 400 film and it pushes up to EI 1600. So why not taking it to the Construction of the Oktoberfest in Munich and shoot at dusk with a slow Lens, a Tamron 28-80 f3.5-5.6&lt;/p&gt;</description></item><item><title>Neutral Color in B&amp;W</title><link>https://www.caffenol.org/2010/03/30/neutral-color-in-bw/</link><pubDate>Tue, 30 Mar 2010 00:00:00 +0000</pubDate><guid>https://www.caffenol.org/2010/03/30/neutral-color-in-bw/</guid><description>&lt;p&gt;I have a fair amount of Kodak Professional Portra 160 NC (Neutral Color) but never tried it out. Having still the Hartblei Tilt-Shift on my Canon 3000N, I thought I should give it go. And low ISO film always comes out great in Caffenol.&lt;/p&gt;
&lt;p&gt;Here are the results:&lt;/p&gt;
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